Summaries:
“From Homoerotics of Exile to Homopolitics of Diaspora by Sima Shakhsari”: The Internet and the post war on terror environment foster an intellectual environment for the digital presence of Iranian queers.
Contemporary Art by Taylor: Colonization led to artistic appropriation of “subordinate” cultures and enforced the “other” identities
Blog:
In Contemporary Art, Taylor explores various identities of otherness affected by colonialism and historical appropriation. The identity crisis of these individuals contrasts with the “other” experience of queers from the Iranian diaspora as explained in Sima Shaksari’s “From Homoerotics of Exile to Homopolitics of Diaspora by Sima Shakhsari.” The Iranian diaspora belongs to a country which lacks a history of colonialism and is affected by its national identity rather than historical appropriation. In the motherland, the national identity promotes a heterosexual narrative and persecutes those who identify as homosexuals. Hence, Iranian queers exist as the “other” of their accepted national identity. Like the identities affected by colonialism, queers of the Iranian diaspora are affected by the West. On a visit to Columbia University in September 2007, Iranian President Mahmoud Ahmadinejad stated in response to a question about execution of Iranian homosexuals that “[I]n Iran we don’t have homosexuals like in your country.” He expressed a common belief in Iran that homosexuality is associated with Western culture. This is perpetuated by a history of conflict with the United States and the West. Recent sanctions and declarations, including Bush’s labeling of Iran as an “axis of evil” in 2002, against the country worsen the relationship of Iran with the West and the relationship of Iran with its queers.
Taylor explains how the “others” affected by colonialism purposely use appropriation to express their identities. Whereas Iranian queers, as stated by Shaksari, are conveying their narrative via outlets of the Internet, such as blogs and online magazines. Iranian gay activists and bloggers, such as Arsham Parsi, utilize cyberspace as a haven to articulate perspective, network with other queers, and depict visibility. Although examples of Parsi mark great strides, online homophobic hate speech claiming a purpose of freedom counteracts the progress. Also, a need for diverse voices exists in online Iranian queer forums. Like identities affected by colonialism, Iranian queers still face obstacles in defending their rights in their claimed forms of expression.