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- To Production Majors, To Artists, To Soldiers of Cinema
- Aron Brown: In Response to “Is This the Way to Remember the Wave??”
- Ayana Aaron: In Response to The Odyssey of a CAMS Student
- Alexandria Lee: Response to Raising Social Consciousness Through Neorealism
- Ama Adi-Dako: In Response To “MANIFESTO: Political Consciousness”
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Monthly Archives: December 2013
Maricruz Cabrera: In Response to The Odyssey of the CAMS Student
First, I would like to begin by calling attention to the title of this blog post. This blog will not represent the odyssey of “the CAMS student” but rather A CAMS student–me. The CAMS odyssey is one where many odysseys … Continue reading
Posted in The Odyssey(s) of CAMS students
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Sarah Berry: In response to Negotiating Hollywood, Narrative Cinema and ‘Art’ Films
I really loved reading Ama and Ximena’s post about the complex relationship we as consumers and CAMS students have with mainstream cinema and “art” cinema. I, too, grew up on classic mainstream films. And I also have had to reevaluate … Continue reading
Posted in Mainstream vs. Art Cinema
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A conversation about reality in Documentaries and Animated Documentaries.
Are documentaries more real than animated documentaries? http://www.youtube.com/watch?v=VwoNF0cP–g
A Dialogue Between Two Aspiring Filmmakers: Negotiating Hollywood, Narrative Cinema and ‘Art ‘Films.
A Dialogue Between Two Aspring Filmmakers Audio (Right click and choose “Save Link As…”or “Open Link In New Tab”). By Ama Adi-Dako & Ximena Bobadilla *The following dialogue is taken from two discussions between the following film students in Wellesley College. … Continue reading
Lilly Tyson: In response to Viewing CAMS 202 Through a Lens of Gender and Sexuality
I absolutely love where the discussion in this blog post went. I am very interested in the debate of “what is feminism?” and “what makes a film ‘feminist’?” I had heard of the Bechdel test before reading this post, and … Continue reading
Posted in Gender/Sexuality
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Lilly Tyson: In response to The Rise and Fall of the Auteur
Maybe it is just my unwavering hope that cinema is still developing as an art form, but I dislike the idea that the auteur is failing to accomplish their goals anymore due to the disintegration of the high-art low-art dichotomy. … Continue reading
Posted in Auteurs
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Sydney Carfagno: In Response to The Odyssey of the CAMS Student
When I started at Wellesley, I had no idea what I was going to do, and honestly probably still don’t really. Originally, I had this whole plan where I thought I was going to become an engineer. I honestly don’t … Continue reading
Gladys Raygoza: In Response to The Odyssey of Film Students
As a film major at a school known for its political science majors, my educational odyssey has been once of self-acceptance and confidence. You can only hear “but what about job security?” so many times before you begin to internalize … Continue reading
Madeleine Lorenat in Response to The Odyssey of Film Students
I completely agree, that the question which is constantly posed to any college student during their first two years is, “what are you going to major in?” which is then directly followed by “and what are you going to do … Continue reading
Sarah Jane Huber: In Response to “MANIFESTO: Towards a Political Consciousness of Cinema (Studies)”
The manifesto makes several important declarations and voices valuable opinions, however I think that it presents filmmakers and audiences in opposition with one another. It does not consider that filmmakers may become a part of the audience and that members … Continue reading