Author Archives: katharine-barsotti

In Response to “Viewing CAMS 202 through the Lens of Gender and Sexuality”

I recently discussed Thelma & Louise with my screenwriting class. We read an article essentially calling it the last feminist film. The argument was made that films like Bridesmaids are not on the same artistic level ofThelma & Louise . While I believe Thelma & Louise is … Continue reading

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In Response to “The Rise and Fall of the Auteur”

Personally, I think that postmodernism and postmodern styles of filmmaking has strengthened some aspects of auteurism (is that a word?). Postmodernism is often characterized by the combination of high art and not so high art – though that particular aspect … Continue reading

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The Odyssey of the CAMS Student

The Odyssey of Film Students   Theory Majors Be Warned: Katie and Lilly are approaching this from a production major standpoint.           In order to write this blog, Katie and Lilly looked at major themes of The Odyssey, and … Continue reading

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