Answering the Call: A Review of Last Call for the Bayou

What do a self-proclaimed “duck queen”, a mud-tasting researcher, an aerial photographer, a shrimper, and a young member of the United Houma Nation all have in common? 

While this may sound like a set up to a strange joke,  what unites them isn’t a joke at all: Louisiana’s coasts, barrier islands, and wetlands are disappearing, and they’re all extremely concerned about what that means for the future. 

The Smithsonian Channel’s Last Call For the Bayou highlights five different stories that show how climate change and other environmental issues affect Louisiana and its residents, how they will affect them in the future, and what people are doing about it. 

Last Call for the Bayou takes you to every corner of southern Louisiana’s complex wetland ecosystems. Its barrier islands protect cities like New Orleans from extra-severe flooding and also serve as wetland habitat for many different creatures– and people. But as sea levels rise, what once was freshwater becomes saltwater, and freshwater plants die at alarming rates, these wetlands have begun to literally erode away. Their erosion not only takes away thousands of feet of coastline but flood protection and ways of life as well.

For the Houma nation, the salinization of their homeland is extremely personal. You can see it in one elder’s face and hear it in his voice. Though the feeling of listening to his cajun accent is warm, hearing him describe how some lands have gone with the tides will likely turn your blood cold. 

One child participating in a program for Houma youth may have put it best when saying, “The soil is more than just soil and dirt, it’s our ancestors, and, like, more and more of our heritage and our ancestors are going away with the water.” 

Cultural preservation, for the Houma, serves as a unique form of climate preparation and adaptation for an uncertain future. Loss of land is a loss of culture, and because of this, there are elders and younger members alike working to preserve the Houma culture and pass it on to the younger generation. Alongside teaching Houma youth about their shared culture, Houma member and sociology student Kasha Clay works on collecting oral histories of the Houma nation to preserve their culture in the face of what could potentially be a huge climate and cultural shift as salinity levels rise with the seas. 

Fortunately, Louisiana’s state legislature has implemented the construction of river diversions to help rebuild wetlands and coastline in southern Louisiana. These diversions redirect sediment and allow it to settle in new places, rebuilding the land that was once eroded away. For the United Houma Nation and many other communities in southern Louisiana, diversion efforts represent at least a partial solution, restoring the deep beautiful greens of Louisiana’s wetlands grain by grain. 

While various communities, both Indigenous and settler, have important reasons  for supporting the restoration of wetland habitats of southern Louisiana, not everyone is pleased by the desalination of the water. Gleason Alexis, the shrimper highlighted in episode four of Last Call for the Bayou, “Sink or Swim”, has been shrimping for decades and needs the saltwater to produce profitable catches, but he’s also seen his own family’s land weathered and altered by the chemical change of the water over the years. His story is an example of how climate adaptation can be complicated, and how climate adaptation efforts have to consider that there are many sides to a story. 

But how did the wetlands of  southern Louisiana reach such a degraded state in the first place? Aerial photographer Ben Depp might have put it best when he said, “everything is exploited one way another.” Considering the presence of oil, gas, and petrochemical industries exacerbating already precarious environmental conditions in southern Louisiana, Depp isn’t wrong. 

Environmental issues are, unfortunately, extremely abundant in southern Louisiana. The series highlights the ways environmental problems have compounded and produced the circumstances that have southern Louisianians so worried about their home. 

Last Call for the Bayou combines beautiful images of southern Louisiana’s wetlands with the true stories of Lousianians trying to find ways to restore wetlands and keep their home theirs. Though not the most hopeful of docuseries, it refuses to back down from the harsh reality of climate change, environmental degradation, and the challenges of adaptation. If you’re interested in expanding your knowledge about southern Louisiana’s environment, Louisiana-specific adaptation, seeing bayous, or hearing extremely comforting accents, this series is for you. 

Last Call for the Bayou is available to stream on the Smithsonian Channel as well as Youtube. 

 

The Magic of the Forgotten Forest: A Film Review of FernGully: The Last Rainforest (1992)

On a Friday night around age seven or so, my sister and I eagerly searched through our VHS tapes for FernGully: The Last Rainforest (1992), a family favorite. Though fear of the movie’s smoky evil villain gave me pause, it was finally time for movie night, and I was excited to see the fairies! 

It was years later when I came to understand the true impact of this movie. Have you ever considered the underlying lessons embedded in a storyline? Well none has had so clear a call to environmental action as FernGully.

Protagonist Chrysta learning to help a seed grow (Source: Pinterest)

Nearly 30 years after its release, this animated film remains relevant. Throughout the movie, symbolism creates a bridge between youthful imaginations and environmental threats. Fairies inhabit and protect a fictional Australian rainforest, living amongst plants and other animals. They possess magical powers and help the forest grow. As guardians of the balance between forces of destruction and creation, they believe that everything is connected by the delicate strands of life.

Chrysta, the protagonist fairy, befriends and magically shrinks a human logger, Zak. He is forced  to experience the world as she does, and he learns to see the inherent value of nature. As a young viewer, the eerie ghostly character of Hexxus was the scariest of them all. When the evil pollution villain arrives, Chrysta and Zak protect the forest with the help from the other fairies and their new bat friend, Batty Koda.

The storyline is derived from Aboriginal Australian roots and a native connection to nature.  The movie begins with handprints that mimic Australian Aboriginal artwork. With these references to reality, the film works as a commentary on the loss of interconnectivity between man and nature ー a connectivity that ancestors once embodied. 

Australian Aboriginal artwork (Source: Aboriginal Art Australia) and introductory scenes in FernGully (1992) (Source: IMBD)

Many parallels exist between FernGully characters and contemporary themes. Magi Lune is the wise grandmother, present in many animated Hollywood films like Moana and Pocahontas. As the eldest and most knowledgeable of the forest, she warns that the magical power of nature has been forgotten by younger generations. This is evident today. Logging, mining, and extractive industries have gutted the Earth, removing and commodifying core masses of resources. Embodying the role of a God-like figure, we too, have forgotten the power of nature and distorted its intricate balance. 

FernGully’s representation of race is also deeply problematic. Its characters, although they exemplify traits of Aboriginal Australian culture, are represented by white people. Thus, it reinforces the White-washing of an issue that is often perpetuated by White people, to the detriment of Native and non-White inhabitants.

Batty Koda, the realist of the movie, is another parallel character who survived human experimentation. He punctures Chrysta’s naive faith in human nature by sharing his experiences. He warns that highways, shopping malls and parking lots will soon replace the forest. 

Batty’s warning is just as urgent today. Roads are even created during tree leveling to facilitate further deforestation. Trees are chopped for plantations, crops and pasture, according to the World Wildlife Fund. Currently, agricultural expansion for beef cattle production is a major driver of Australian tree-clearing. Modern mass deforestation is a result of the technological advancements of developed countries, imposing environmental damage and pollution emissions globally.

Hexxus gif (Source: Fandom Villain Wiki)

Hexxus, the evil threat preying on FernGully, refers to himself as a “toxic love” made of oil, gas and poisonous sludge. He represents Exxon Mobil and the power of polluting industries that benefit from forest destruction and resource extraction. The lyrics of his narcissistic song describe humans as the origins of all environmental problems: “Cause greedy human beings will always lend a hand/ In the destruction of this worthless jungle land…/ And what a beautiful machine they have provided/ To slice a path of doom with my sweet breath to guide them.” 

Hexxus’s threat has not gone away. An article published in the Guardian exposed the real threat of this villain. It highlighted the disparity between Australia’s pledge for net zero emissions by 2050 compared to the amount of emissions they have actually produced ー which is three times the average of the G20 forum for international economic cooperation. In the 2018 Living Planet Report, Australia was considered among the worst deforesters with the highest rates of land clearings in Queensland. 

Deforestation in Queensland 2017 (Source: Conservation.org) and deforestation in FernGully (1992) (Source: IMDB)

In an era of rebooting classics, we need a 30th Anniversary revamping of FernGully. It is disheartening that this movie is still pertinent today. It is an unconventional yet powerful approach to raising environmental awareness, but there is more work to be done in Australia. Perhaps it can lead to more effective ways to inspire and retain the notion of environmental guardianship in children as they grow older. Rebooting could further illuminate far too relevant patterns in human behavior and touch current youth, creating and reinforcing a love of nature for them as this film did for me.